princess

Child and the spells.

“The child and magic” by Maurice Ravel claimed as a children’s show. The event focused on the immediacy of perception. Of course, spontaneity is different for everyone, but at the heart of any spontaneity — not a preparation, but the involvement, lack of prejudice, but not total wildness. That is, the audience who came to the children’s Opera in theatre, at least, understands that the Opera is where they sing. We can say that this is the only condition for the direct perception of children’s melodramatic performance.

Now, if you try to directly perceive what showed the Bolshoi theatre, we get the following picture:

about an hour on the scene of animated objects and animals with insects bullying child

which is in the throes of puberty, overstimulation them hurt or offended. Torn books, broken cups, broken clock, torn Wallpaper, and even the injured squirrel scolding, name-calling, blaming, beat, trample and otherwise “snub” the poor teenager.

It is difficult to say how common in world literature educational motive of revenge things to his master, but in a Russian children’s classics enough to remember “the Fedora’s grief” by K. I. Chukovsky Continue reading

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Child and the spells.
"The child and magic" by Maurice Ravel claimed as a children's show. The event focused on the immediacy of perception. Of course, spontaneity is different for everyone, but at the…

Continue reading →